«They were friends, companions, painters-in-arms committed to what was, at the start of the 20th century, the newest and most provoking form of art. Braque was just the younger, but there was little assumption of seniority by the other. They were co-adventurers, co-discoverers; they painted side by side, often the same subject, and their work was at times almost indistinguishable. The world was young, and their painting lives lay ahead of them.»
Esse é o início do artigo de Julian Barnes sobre Georges Braque, aliás, sobre a nova biografia de Braque, escrita por Alex Danchev. Na
London Review of Books.
